{"id":"51623094205117756","game_id":"51623093874144693","platform_id":"gog","external_id":"1800426735","dlcs_ids":[],"dlcs":[],"parent_id":null,"supported_operating_systems":[{"slug":"windows","name":"Windows"},{"slug":"osx","name":"macOS"}],"available_languages":[{"code":"en-US"}],"first_release_date":"2017-09-28T00:00:00+0000","game":{"id":"51623093874144693","parent_id":null,"dlcs_ids":[],"mods_ids":[],"first_release_date":null,"releases":[{"id":"51623094205117756","platform_id":"gog","external_id":"1800426735","release_per_platform_id":"gog_1800426735","availability":0},{"id":"51623093874144693","platform_id":"generic","external_id":"51623093874144693","release_per_platform_id":"generic_51623093874144693","availability":1}],"title":{"*":"Tooth and Tail - Official Soundtrack","en-US":"Tooth and Tail - Official Soundtrack"},"sorting_title":{"*":"Tooth and Tail Official Soundtrack","en-US":"Tooth and Tail Official Soundtrack"},"type":"spam","developers_ids":[],"developers":[],"publishers_ids":[],"publishers":[],"genres_ids":[],"genres":[],"themes_ids":[],"themes":[],"screenshots":[],"videos":[],"artworks":[],"summary":{"*":"Official Soundtrack for the game Tooth and Tail, original score by Austin Wintory.\n\u003Cbr\u003E\u003Cbr\u003E\nOver an hour of music, including bonus tracks by:\u003Cul\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EEli Bishop\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EHyperduck Soundworks\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EDarren Korb\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EJohn Robert Matz\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EKristin Naigus\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003ESalome Scheidegger\u003C\/li\u003E\n\u003C\/ul\u003E\n\n\u003Ch3\u003ELiner Notes\u003C\/h3\u003E\n\nAustin: \u0022We want to make a game about war, but we want to make it fun. What were some fun wars?\u0022\u003Cbr\u003E\nAndy: \u0022World War One was fun. So was the Russian Revolution. Super fun.\u0022\u003Cbr\u003E\nAustin: \u0022True, true. And so is starvation. And cannibalism. Really goofy stuff.\u0022\u003Cbr\u003E\nAndy: \u0022So our game is all about building tension before short explosive bursts of action\u2026 maybe we should use tangos and latin dance music as the basis for things? Real Time Strategy is essentially ballroom dancing.\u0022\u003Cbr\u003E\nAustin: \u0022Yeah, and we can play it all using early 20th century Russian instruments. That makes sense.\u0022\u003Cbr\u003E\nAndy: \u0022Except our game is wild and raucous, so let\u0027s play the instruments drunkenly.\u0022\u003Cbr\u003E\nAustin: \u0022Will do.\u0022\u003Cbr\u003E\u003Cbr\u003E\n\nThat is how this album came to be. Enjoy.\u003Cbr\u003E\n\u003Ch3\u003ETrack Listing\u003C\/h3\u003E\n1. The Food of Beasts \u003Cbr\u003E\n2. Hopper, Flagbearer for the Commonfolk\u003Cbr\u003E\n3. Bellafide, Firebrand of the Longcoats\u003Cbr\u003E\n4. The Quartermaster of the KSR\u003Cbr\u003E\n5. Archimedes, Left Hand of the Civilized\u003Cbr\u003E\n6. The Old South Distillery\u003Cbr\u003E\n7. Hollow in the Gut\u003Cbr\u003E\n8. Hyperduck Soundworks: Who Becomes the Meat?\u003Cbr\u003E\n9. The Hungry face a stiff wind \u003Cbr\u003E\n10. Kristin Naigus: Bellafide\u2019s Tarantella\u003Cbr\u003E\n11. Fuel of the Firebrand\u003Cbr\u003E\n12. Snikaree Liberation\u003Cbr\u003E\n13. John Robert Matz: Waltz of the KSR\u003Cbr\u003E\n14. Black Sledge Uprising\u003Cbr\u003E\n15. Bonepit Exile\u003Cbr\u003E\n16. The Siege of Ragfall Road\u003Cbr\u003E\n17. Eli Bishop: Archimedes\u2019 Tango\u003Cbr\u003E\n18. The War for Meat\u003Cbr\u003E\n19. Salome Scheidegger: The Ivories of Beasts\u003Cbr\u003E\n20. Swine, Inscribed\u003Cbr\u003E\n21. To the Ends\u003Cbr\u003E\n22. Darren Korb: Anthem of the Commonfolk\u003Cbr\u003E\n23. Victors will Feast","en-US":"Official Soundtrack for the game Tooth and Tail, original score by Austin Wintory.\n\u003Cbr\u003E\u003Cbr\u003E\nOver an hour of music, including bonus tracks by:\u003Cul\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EEli Bishop\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EHyperduck Soundworks\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EDarren Korb\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EJohn Robert Matz\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EKristin Naigus\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003ESalome Scheidegger\u003C\/li\u003E\n\u003C\/ul\u003E\n\n\u003Ch3\u003ELiner Notes\u003C\/h3\u003E\n\nAustin: \u0022We want to make a game about war, but we want to make it fun. What were some fun wars?\u0022\u003Cbr\u003E\nAndy: \u0022World War One was fun. So was the Russian Revolution. Super fun.\u0022\u003Cbr\u003E\nAustin: \u0022True, true. And so is starvation. And cannibalism. Really goofy stuff.\u0022\u003Cbr\u003E\nAndy: \u0022So our game is all about building tension before short explosive bursts of action\u2026 maybe we should use tangos and latin dance music as the basis for things? Real Time Strategy is essentially ballroom dancing.\u0022\u003Cbr\u003E\nAustin: \u0022Yeah, and we can play it all using early 20th century Russian instruments. That makes sense.\u0022\u003Cbr\u003E\nAndy: \u0022Except our game is wild and raucous, so let\u0027s play the instruments drunkenly.\u0022\u003Cbr\u003E\nAustin: \u0022Will do.\u0022\u003Cbr\u003E\u003Cbr\u003E\n\nThat is how this album came to be. Enjoy.\u003Cbr\u003E\n\u003Ch3\u003ETrack Listing\u003C\/h3\u003E\n1. The Food of Beasts \u003Cbr\u003E\n2. Hopper, Flagbearer for the Commonfolk\u003Cbr\u003E\n3. Bellafide, Firebrand of the Longcoats\u003Cbr\u003E\n4. The Quartermaster of the KSR\u003Cbr\u003E\n5. Archimedes, Left Hand of the Civilized\u003Cbr\u003E\n6. The Old South Distillery\u003Cbr\u003E\n7. Hollow in the Gut\u003Cbr\u003E\n8. Hyperduck Soundworks: Who Becomes the Meat?\u003Cbr\u003E\n9. The Hungry face a stiff wind \u003Cbr\u003E\n10. Kristin Naigus: Bellafide\u2019s Tarantella\u003Cbr\u003E\n11. Fuel of the Firebrand\u003Cbr\u003E\n12. Snikaree Liberation\u003Cbr\u003E\n13. John Robert Matz: Waltz of the KSR\u003Cbr\u003E\n14. Black Sledge Uprising\u003Cbr\u003E\n15. Bonepit Exile\u003Cbr\u003E\n16. The Siege of Ragfall Road\u003Cbr\u003E\n17. Eli Bishop: Archimedes\u2019 Tango\u003Cbr\u003E\n18. The War for Meat\u003Cbr\u003E\n19. Salome Scheidegger: The Ivories of Beasts\u003Cbr\u003E\n20. Swine, Inscribed\u003Cbr\u003E\n21. To the Ends\u003Cbr\u003E\n22. Darren Korb: Anthem of the Commonfolk\u003Cbr\u003E\n23. 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What were some fun wars?\u0022\u003Cbr\u003E\nAndy: \u0022World War One was fun. So was the Russian Revolution. Super fun.\u0022\u003Cbr\u003E\nAustin: \u0022True, true. And so is starvation. And cannibalism. Really goofy stuff.\u0022\u003Cbr\u003E\nAndy: \u0022So our game is all about building tension before short explosive bursts of action\u2026 maybe we should use tangos and latin dance music as the basis for things? Real Time Strategy is essentially ballroom dancing.\u0022\u003Cbr\u003E\nAustin: \u0022Yeah, and we can play it all using early 20th century Russian instruments. That makes sense.\u0022\u003Cbr\u003E\nAndy: \u0022Except our game is wild and raucous, so let\u0027s play the instruments drunkenly.\u0022\u003Cbr\u003E\nAustin: \u0022Will do.\u0022\u003Cbr\u003E\u003Cbr\u003E\n\nThat is how this album came to be. Enjoy.\u003Cbr\u003E\n\u003Ch3\u003ETrack Listing\u003C\/h3\u003E\n1. The Food of Beasts \u003Cbr\u003E\n2. Hopper, Flagbearer for the Commonfolk\u003Cbr\u003E\n3. Bellafide, Firebrand of the Longcoats\u003Cbr\u003E\n4. The Quartermaster of the KSR\u003Cbr\u003E\n5. Archimedes, Left Hand of the Civilized\u003Cbr\u003E\n6. The Old South Distillery\u003Cbr\u003E\n7. Hollow in the Gut\u003Cbr\u003E\n8. Hyperduck Soundworks: Who Becomes the Meat?\u003Cbr\u003E\n9. The Hungry face a stiff wind \u003Cbr\u003E\n10. Kristin Naigus: Bellafide\u2019s Tarantella\u003Cbr\u003E\n11. Fuel of the Firebrand\u003Cbr\u003E\n12. Snikaree Liberation\u003Cbr\u003E\n13. John Robert Matz: Waltz of the KSR\u003Cbr\u003E\n14. Black Sledge Uprising\u003Cbr\u003E\n15. Bonepit Exile\u003Cbr\u003E\n16. The Siege of Ragfall Road\u003Cbr\u003E\n17. Eli Bishop: Archimedes\u2019 Tango\u003Cbr\u003E\n18. The War for Meat\u003Cbr\u003E\n19. Salome Scheidegger: The Ivories of Beasts\u003Cbr\u003E\n20. Swine, Inscribed\u003Cbr\u003E\n21. To the Ends\u003Cbr\u003E\n22. Darren Korb: Anthem of the Commonfolk\u003Cbr\u003E\n23. Victors will Feast","en-US":"Official Soundtrack for the game Tooth and Tail, original score by Austin Wintory.\n\u003Cbr\u003E\u003Cbr\u003E\nOver an hour of music, including bonus tracks by:\u003Cul\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EEli Bishop\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EHyperduck Soundworks\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EDarren Korb\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EJohn Robert Matz\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003EKristin Naigus\u003C\/li\u003E\n\u003Cli class=\u0022description__cool-point\u0022\u003ESalome Scheidegger\u003C\/li\u003E\n\u003C\/ul\u003E\n\n\u003Ch3\u003ELiner Notes\u003C\/h3\u003E\n\nAustin: \u0022We want to make a game about war, but we want to make it fun. What were some fun wars?\u0022\u003Cbr\u003E\nAndy: \u0022World War One was fun. So was the Russian Revolution. Super fun.\u0022\u003Cbr\u003E\nAustin: \u0022True, true. And so is starvation. And cannibalism. Really goofy stuff.\u0022\u003Cbr\u003E\nAndy: \u0022So our game is all about building tension before short explosive bursts of action\u2026 maybe we should use tangos and latin dance music as the basis for things? Real Time Strategy is essentially ballroom dancing.\u0022\u003Cbr\u003E\nAustin: \u0022Yeah, and we can play it all using early 20th century Russian instruments. That makes sense.\u0022\u003Cbr\u003E\nAndy: \u0022Except our game is wild and raucous, so let\u0027s play the instruments drunkenly.\u0022\u003Cbr\u003E\nAustin: \u0022Will do.\u0022\u003Cbr\u003E\u003Cbr\u003E\n\nThat is how this album came to be. Enjoy.\u003Cbr\u003E\n\u003Ch3\u003ETrack Listing\u003C\/h3\u003E\n1. The Food of Beasts \u003Cbr\u003E\n2. Hopper, Flagbearer for the Commonfolk\u003Cbr\u003E\n3. Bellafide, Firebrand of the Longcoats\u003Cbr\u003E\n4. The Quartermaster of the KSR\u003Cbr\u003E\n5. Archimedes, Left Hand of the Civilized\u003Cbr\u003E\n6. The Old South Distillery\u003Cbr\u003E\n7. Hollow in the Gut\u003Cbr\u003E\n8. Hyperduck Soundworks: Who Becomes the Meat?\u003Cbr\u003E\n9. The Hungry face a stiff wind \u003Cbr\u003E\n10. Kristin Naigus: Bellafide\u2019s Tarantella\u003Cbr\u003E\n11. Fuel of the Firebrand\u003Cbr\u003E\n12. Snikaree Liberation\u003Cbr\u003E\n13. John Robert Matz: Waltz of the KSR\u003Cbr\u003E\n14. Black Sledge Uprising\u003Cbr\u003E\n15. Bonepit Exile\u003Cbr\u003E\n16. The Siege of Ragfall Road\u003Cbr\u003E\n17. Eli Bishop: Archimedes\u2019 Tango\u003Cbr\u003E\n18. The War for Meat\u003Cbr\u003E\n19. Salome Scheidegger: The Ivories of Beasts\u003Cbr\u003E\n20. Swine, Inscribed\u003Cbr\u003E\n21. To the Ends\u003Cbr\u003E\n22. Darren Korb: Anthem of the Commonfolk\u003Cbr\u003E\n23. 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